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that discarding the blind-test method would expose the results – whatever they may be – to suspicion of unreliability. Shredding the samples would not solve the problem, while making it much more difficult and wasteful to clean the samples properly. group published the list of tests to be performed on the shroud; these aimed to identify how the image was impressed onto the cloth, to verify the relic's purported origin, and to identify better-suited conservation methods. We are faced with actual blackmail: unless we accept the conditions imposed by the laboratories, they will start a marketing campaign of accusations against the Church, which they will portray as scared of the truth and enemy of science. lack of blindness in the measurements is a rather insubstantial reason for disbelieving the result." (t)he Church must respond to the challenge of those who want it to stop the process, who would want us to show that the Church fears the science.and those "minute" fibers were identified as cotton by Peter South (textile expert of the Derbyshire laboratory) who said: "It may have been used for repairs at some time in the past, or simply became bound in when the linen fabric was woven.
The labs were also each given three control samples (one more than originally intended), that were: and communicated their results to the British Museum.
The idea of scientifically dating the shroud had first been proposed in the 1960s, but permission had been refused because the procedure at the time would have required the destruction of too much fabric (almost 0.05 sq m ≅ 0.538 sq ft). P.), which involved about 30 scientists of various religious faiths, including non-Christians. Testore performed the weighting operations while Riggi made the actual cut.
The development in the 1970s of new techniques for radio-carbon dating, which required much lower quantities of source material, prompted the Catholic Church to found the Shroud of Turin Research Project (S. Also present were Cardinal Ballestrero, four priests, archdiocese spokesperson Luigi Gonella, photographers, a camera operator, Michael Tite of the British Museum, and the labs' representatives.
As a precautionary measure, a piece twice as big as the one required by the protocol was cut from the Shroud; it measured 81 mm × 21 mm (3.19 in × 0.83 in).
An outer strip showing coloured filaments of uncertain origin was discarded.